Comedy Tour
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"Everybody is a stage, and are merely players, the public and the portrait artists, each other outside the gilded cage." Neil Peart-1981 " Limelight. "Successful 1981 Rush" Limelight "shows the first rule of public participation. It is a paraphrase quote from Shakespeare in his comedy "As You Like It", written in 1599.
The act of incorporation of the ideas contained in the original part is called transformativeness is a great way for the public to relate to their original work. Transformativeness is legal under copyright U.S. provided that the original material created or integrated into a new job that has a meaning different from the original. In the example above, Shakespeare wrote his "Everybody's a stage" speech to identify the seven ages of man. Paraphrased this quote Neil Peart Level the playing field as an individual when he is not in the scene. In this case, "All the world's a stage" has two different meanings, but valuable, the first is a litany of life of a man and the second a plea for privacy.
The second rule of participation public, as Peart and Shakespeare take lightly, is to realize that they are an important part of the performance band or the actors on stage. Although the list may be the same every night, the audience makes each performance unique by its interaction with the band. Shakespeare was the first to this paper and reiterated Rush some 382 years later. I remember the sound of "As You Like It" as a theater for college credit in 1994. The director thought it would be interesting to present it as a fifty music. Directors tend to change the words of Shakespeare as a way to put a unique twist on the hardware and upgrade to a longer period can identify. In this way, the public can better identify with the game
In the same vein, the frequency bands to learn the local dialect or local sports teams on a better relationship with a specific audience. By attending a concert in Pittsburgh Rush, Geddy Lee, I remember asking, "How yinz guys doing tonight?" That is local Pittsburghese. The public laughed and appreciated the Local Knowledge bought these international artists.
Other ways in which Rush is committed to its audience in recent years have been both surprising and stimulating. I remember visiting counterparts in 1994, a sequence of cartoons involving two rabbits in a slap stick comedy. Brown Bunny is a rabbit hunt white tones through the old clothes and household items. The hearing was devoted to laugh. At the end of the cartoon, a shot rang out and the attention turns to the stage where a large brown bag with rabbit gangster hat had just shot and deflated his white rabbit counterpart. The public left a breath of the masses. Then the angels took the white bunny rabbit in the sky and the crowd was euphoric. After the first notes of "Tom Sawyer" were played. This rapid change of emotions can be equivalent the fever that you feel when you drive a roller coaster ride exciting. Goes beyond the visual stimulation and hearing in the center of our emotions.
Rush is a band who not only saw and heard but also felt physically. I remember the first time I saw Rush in 1987 on the circuit pending fire. I was standing four rows of the floor in a show. When Neil Peart did his drum solo, the awesome power was so great that reverberated through the ground all over my body and my heart beat in sync with the drums. It was an overall experience that kept me from completely in the moment. After all, that's what you hire a public issue, the overload of the senses as possible to ensure attention public focuses only on the tape.
My final example is the rotisserie chicken that was next to Geddy during the "Snakes and Arrows "tour. Rush used the strong sense of smell to attract to our senses. Throughout the series, a roadie come out and spray the chicken. Delicious smell of grilled chicken floating in the audience. If they had thrown the chickens in the audience, not only would stimulate our senses of sight, hearing, touch, smell, taste, too. However, four is quite complete sense that most bands consider only stimulate sight and hearing. Cook brownies for your next concert and see how many people to see your programs.
Stimulate the senses of your audience is something to consider when testing. Their songs should be a close interaction between living members of the band is always a plus. If possible, add a visual element, like a show light, it will attract the eyes of his audience on stage. Speak directly with his audience, by name if possible, can also personalize their relationship with members the audience, finally, the sense of smell and taste may be a new addition to your show too.
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